A full day’s drive took us from Krakow to Jablonec, which stands
30 miles into the Czech Republic on the edge of the Jizera Mountains. These
aren’t high peaks, more rolling, wooded hills with farms and villages, a
favourite haunt of cyclists and walkers, and with some skiing in winter.
We are here in Jablonec because the town and its surrounding
area is the most important centre in Europe for production of costume jewellery
components. That is, the locality manufactures glass beads and items used with
beads to make costume jewellery. As beading is Jane’s main hobby, we are here
on a mission.
Production began in the 16th century when Saxon
glassmakers, from what is now Germany, began settling in the area. By the 19th
century the industry had brought such wealth to the area that many people were living
in elaborate, large houses and the town sported many splendid public buildings.
At the end of the last war, the Communist dispossessed all the
descendants of the original German settlers of their homes and factories, and expelled
them, 100,000 in total. This was disastrous for the industry, but forced labour
was brought in and some of the former trade gradually recovered. Many of the
fine homes and buildings are now in decay or just shabby, but where they have
been preserved and restored you get a good idea of how affluent the area was. This
is the theatre, for example.
The
central square also showcases the elegant lifestyle of the glass and jewellery
entrepreneurs. A museum dedicated to the industry is located just off the back
of the square.
The museum is where we’re going next. We’ll start with some amazing
beadwork in the shape of a full size flower basket.
The collection is huge and I can only pick out a few
examples, with Jane’s help, from the range. These are made from beads of jet.
This is an early beaded pen. Note that it’s a quill pen. I
have a modern one done by Jane.
It’s the glitzy stuff that catches the eye, not practical at
all for wear or use. This display looks like the Crown Jewels.
On the theme of impracticality, this is the longest necklace
in the world and is in the Guinness Book of Records. It’s 220 metres long and
was made by local art students in 4 hours. From a craft quality standpoint it
has little merit.
The next exhibit is a much more wearable and beautiful creation,
and just what a skilled beader might want to make.
More modern products were also displayed, for instance this
designer vase, and underneath some intricate and delicate glass flowers.
These days production comes from large factories, but there
is still some of the cottage industry that it started out as. The next photo
shows a typical glass producer’s dwelling. The work was carried out in the
attic room, and you can see a large vent in the centre of the roof to extract the
large amount of heat generated, and the tall pair of chimneys to draw the fires
for the glass making and shaping process.
Below is a model of the modern Preciosa Bead Factory, and it’s
made from 200,000 beads. The little electric train and trucks are also beaded
and run round the building on pressing a button.
I stop at a final exhibit. It looks to my untrained eye like
a beaded bikini. I can only hope that they used strong thread.
We’ve also been to several bead shops out of the many here.
The product ranges were large and the prices cheap with good but not top
quality beads apart from Swarovski beads but these weren’t much cheaper than
back in the UK. Our visit here was interesting and unusual compared to tripperland,
but we’ll put that right in the next blog- we’re heading for Prague, one of
Europe's most popular tourist destinations.