In
all of Death Valley National Park’s
5,220 square miles ( 2/3 the size of Wales) there is but one opulent,
extravagant building: Scotty’s Castle. Scotty neither built nor owned it, but was instrumental in its creation.
Here’s a summary of the unusual story.
Scotty was an
adventurer and a conman who claimed that he had found gold in Death Valley in
the early years of the 20th century. He persuaded a number of
investors from back East to put funds into his non-existent mine, including a
Chicago businessman called Albert Johnson.
Johnson was rich, a
millionaire, and also a mining engineer. After some years he decided to go and see
this mine for himself. When he arrived in Death Valley he was confronted by a
gunfight staged by Scotty, designed to scare him off, but Johnson was made of
tougher stuff and stayed. He soon realised that there was no mine, but against
all odds he and Scotty became firm friends.
Johnson thereafter
frequently visited the valley with Scotty where the two enjoyed cowboy style
living and adventures. Johnson came to believe that the hot dry climate was
beneficial to his fragile health and thought a simple dwelling where he and his
wife could live for part of the year would be a good idea. He found a good
However, ‘simple’
was not in Bessie Johnson’s vocabulary, so some of the best architects of the
day were commissioned to design a suitably grand residence. Frank Lloyd
Wright’s submission was rejected as too austere and they selected a Spanish
Revival theme from another architect. It was started in 1922 and never fully
finished. This is the premises.
On closer
examination it’s a showpiece based on the in theme of the day for American millionaires.
The great hall has a sort of plastic medieval film-set look. An interesting
feature is that some of the walls were hollow to allow some of the spring water
to flow through and provide cooling from the summer heat. Johnson the engineer
was fascinated by technology, and incorporated the latest methods and gadgets wherever
possible.
Of course the reason
for the house’s extravagant appearance was to impress guests. This climaxed in
the music room where whatever was playing on this piano (it played using
cylinders) could be relayed throughout the estate from the bell tower outside.
That’s the separate tower on the left in the first photo.
The whole place is
a time-capsule. Everything in it is original as installed by the Johnsons. This
sideboard contains traditional Indian baskets made by the wives of the local Indian
workers who laboured on the building of the castle, some of whom stayed on as
estate workers. There’s even Bessie’s Singer sewing machine, bottom right.
The house was
powered by water turbine electricity, all concealed in a maze of underground
tunnels that also ducted the cooling water into various rooms. The generator
still works and was started up by our ranger guide; it illuminated some
lightbulbs.
Changes in water flow or sudden demands on the current caused the lights
to flicker sometimes, and this got on perfectionist Johnson’s nerves. His
solution was to install a massive bank of batteries that would accumulate the current
and then release it at a uniform rate. The batteries are still there and in
working order.
Hot water was
created from thermal energy, making Johnson one of the earliest eco warriors.
His ingenuity was more from necessity than any thoughts of saving the planet,
but it worked really well. Spring water was run through metal containers (not
now there) supported by the wooden framework in the photo. The fierce sun
heated up the water that was then stored in the large insulated tank behind
before being pumped into the house via the service tunnels.
Scotty himself,
full name Walter Scott, was well provided for. He had the run of the “castle”
and Johnson even built him a place of his own on the estate. Johnson’s will
also left Scotty the use of the place should he survive him, which he did by 6
years, and is in fact buried on a small hill behind the house.
There were separate
guest quarters, stables and garaging for several vehicles. Johnson’s favourite
was a 7 seater 1914 Packard, a bit ancient in the mid 20’s, but a quality car in
which they would trundle round the valley if not riding horses. What sort of
bone jarring ride the car gave is anyone’s guess with its solid tyres on rough
dirt roads.
There was a lot
more detail to the story. Like Death Valley itself, it had more depth and
interest than was first apparent.
Death Valley was
indeed a unique and rewarding experience. Now onwards and upwards, to Lake Isabella.
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